Silken Sands Conference Agents: Jenny Bent & Lucienne Diver

It’s less than two weeks to the Silken Sands Conference. I’m among those counting the days. This Moonday, meet the agents who are attending the Silken Sands Conference. They’ll be participating in panel discussions and taking pitches. There’s still editor/agent pitch appointments available for those attending the full conference or the Saturday-only drive-in. Check out the registration info below.  But first, meet our agents.

Lucienne Diver (The Knight Agency)

Lucienne Diver joined The Knight Agency in 2008, after spending fifteen years at New York’s prestigious Spectrum Literary Agency. Over the course of her eighteen-year career she has sold over seven hundred titles to every major publisher, and has built a client list of over forty authors, primarily in the areas of fantasy, science fiction, romance, mystery, and young adult fiction.

In addition, she’s an author in her own right with the Vamped series of young adult books for Flux and the new Latter-Day Olympians series of urban fantasy novels, beginning with Bad Blood, from Samhain Publishing. She also writes the Agent Anonymous articles for the Science Fiction and Fantasy Writers of America and is a regular guest at Magical Words.Further information is available on The Knight Agency website:, her author website and her blog

Jenny Bent of The Bent Agency
Jenny Bent started THE BENT AGENCY in 2009, after six years as a Vice-president at Trident Media Group. Her bestselling clients include Lynsay Sands, Julia London, Lori Wilde, Sandra Hill, Jacqueline Sheehan, Kathryn Caskie, Kieran Kramer, as well as RITA winners Beth Pattillo, Kate Brady and Tera Lynn Childs.  She is actively seeking romance, young adult, suspense and women’s fiction and prides herself on career-building for both new and established authors.  Her website, with submission guidelines, is and you can follow her on twitter at @jennybent.

The Silken Sands Conference at the beach which will be held at the Hampton Inn on Pensacola Beach, FL on Santa Rosa Island from March 16 -18, 2012. The conference offers workshops, appointments to pitch to editors and agents, editor/agent panels and workshops, a booksigning, catered costume party, banquet, and breakfasts. For registration information: 

Until next Moonday,Rita Bay

Countdown to Conference Interview Four, Agent Elaine Spencer

Hello everyone! Well I’m happy to report as of now the virus which has been kicking my tail is momentarily gone! I say momentarily because with two small children to pass it back to me I’m sure I’ll have it again! But for now I’ve got a bit of news before we get to todays interview. I found out Tuesday that my first publication, a short story through The Wild Rose Press, will hit the market May 7,2010! YAY!!! So now that edits and galleys are done its time to get back to writing!

But first its time to get to todays spotlight interview with Elaine Spencer of the Knight Agency! I know some of the lovely Sizzlers are pitching to Mrs. Spencer at the Silken Sands Conference(only about two weeks away!!!) and I’ve tortured them with not telling them her answers to our interview questions so without further torment I give you all the interview:


Sayde: Tell us what you think is hot and what’s not. ?

        Mrs. Spencer:  Oooooh. I hate this question! Seriously, it’s the hardest way to start off an interview. (No offense intended!)

        This is such a subjective business though, and really, right now, where the market is, I don’t see it being about trends such as we’ve seen the last few years with the phases of paranormal or erotica or urban fantasy growth. Right now with the way that the market has tightened I think that the “hottest” new voices out there aren’t about falling into a particular subgenre. I think it’s much more about the voice and the overall concept. 

        Everyone, editors and agents, is still looking new talent and new voices. The excitement that exists when you stumble across that breakout submission is still just as grand as it always was. These days however the competition is thick and there’s less room for mid-performers, so what I’m really looking for are those outstanding voices and concepts that I know will be able to have a strong presence in the market as a debut.

        It’s the pitches I hear that are so unique and high concept that I know when I give a one-line to an editor they’re going to be instantly hooked. And then of course the writing needs to stand up to the promise of the idea. I think the hottest trends are those that appeal to a wide audience and don’t necessarily pigeonhole themselves into one corner, those that will pull readers from several different subgenres.


Sayde: What types of work are you most interested in seeing at the 2010 Silken Sands Conference?


        Mrs. Spencer: Projects that are ready to be pitched. Seriously, the number one hang up I have is when someone meets with me and tries to sell me on a project simply because I happen to be there at this moment, not because the project is complete and ready for submission.

        I would love to find a great contemporary voice, something smart and witty but not mindless. I love heroines that are real “badasses” but still totally relatable and loveable. I would give anything for a GREAT new romantic suspense, something that would be start of a really compelling series perhaps. Also, compelling women’s fiction, something that gets you involved and not only takes over all of your emotions, but also makes you think, something like Kristin Hannah or Jodi Piccoult. I’m a bit over the paranormal and urban fantasy at the moment, but that doesn’t mean the door is closed. The most recent project I found in my submission box was a paranormal that was wicked smart and when I saw it I knew THIS has potential.( Sayde: I actually know this author, if it’s the same one who recently signed with Mrs. Spencer and yes it is a wicked smart book!! Congrats!) I would love to find a few series authors, these books never stop being fun and I love that when I sit down I know what I’m going to get. Really, I’m wide open, there’s very little I can think of that I don’t want. Westerns. I’m not a western girl. Sorry.

Sayde: This question goes back to the “writer rumors”, but so many times I’ve heard that agents/editors will throw out a manuscript if they see grammatical errors. Personally, this is a huge one for me as I am grammatically challenged.  Many times authors will edit and edit then send to a contest and have their manuscript ripped to shreds because they used “ing”, “ly” or “was” to much for the judges liking. Do you look for these issues when reading requested material or is it more about the story?


        Mrs. Spencer: My answer on this one is both. We all know that as a writer there is always room for improvement. Every writer has their ticks, the areas they struggle with, the things that they will continuously improve on as they grow. I don’t expect to find manuscripts that are spic-and-span clean all of the time.

        Here’s the thing. The hang-ups/errors can NOT be distracting to me as a reader. If I can’t get through passages and pages because of these errors, then it doesn’t matter how good the concept is, you’re not ready to be a published author and you need to devote more time to your craft. Editors these days are just stretched too thin and their lists are too large to devote to clean up the way they once did, and it’s not my greatest strength either, so I’m not going to be the best back up. If you have a problem with pronoun usage, and I can say “Hey, you need to sweet this manuscript looking for this specifically” then we might be OK. That’s a targeted thing that we can work through in revisions.

        To be blunt, in my mind grammatical errors (as opposed to technical errors) shows a lack of attention. If I see it when I’m reading I think to myself, “Now why didn’t you see that, or your proofreader, or critique partner.” It indicates that you haven’t really polished your manuscript. Rule of thumb, one or two, no big deal, any more, it starts to be something you have to make up for in other areas.

Sayde: What is your opinion on emarket vs. traditional print? I know this is a hot topic and we all appreciate whatever comments you can give us.

                Mrs. Spencer: I think that the emarket is a good thing. It’s opening up more ways to reach new readers and ultimately we will sell more books. For now our main concern needs to be laying the groundwork that makes sure everyone is receiving quality product at a quality price. And that all parties are being compensated fairly throughout the process. That is the primary focus right now of the Authors Guild and the AAR and other organizations that are being established to help act as these watchdog groups. Attentiveness to the change is crucial, in some instances if you miss a day you miss a lot. It is every author’s responsibility to be on the lookout for all of the new information being made available. To be searching for articles and websites devoted to keeping people abreast of the changes, if you aren’t doing that, you aren’t doing all you can to be an active participant in this industry and you will quickly find yourself left behind.

                 Additionally with all of these new avenues available there are going to be parties that are trying to take advantage of the changes and we are at risk for some major quality control issues. I think that’s something we all can help caution against. We are our own best advocates for demanding quality products and making sure that the ebooks we’re reading are being distributed and purchased through fair conduits. 


Sayde: I know that when I am researching an agent or editor, I Google them,  check their Facebook page, and tweet them. I read their posts and blogs.  I try to see if their tastes would lean toward my writing style or not. And I try to get a feel for their personality to see if we might “mesh well” if the opportunity ever arose. If you have a manuscript on your desk, do you ever check the same accounts for that author?  Do you ever check to see what he/she is posting? If so, have you been influenced by what you’ve learned?

        Mrs. Spencer: Sometimes I do. It’s not common, but every once in awhile if I find some interesting spark or something I want to know more about I’ll go out and search for more information. Really this is just an exercise in efficiency, the information I’m searching for is info I would otherwise ask about on the phone or during a meeting, but having the internet just makes it more instantly available as opposed to having to wait to have that conversation. Really the only thing I’m looking for is a level of professionalism. I could care less if your blog is 100% devoted to your husband and your cat, as long as it doesn’t do anything to harm your craft or your marketability, then its professional enough for me. And on the same token, if I see very black and white writing specific information posted, I could care less about the actual content of this information as long as it isn’t offensive in any way or affecting to your chances of selling.

        And then, the honest truth, sometimes when I’m hunting around on the internet, well it’s for the same reasons that you would. Because I’m human and humans are nosy. And the plethora of networking sites have opened up an avenue that makes us feel entitled to information that really isn’t any of our business. But hey, if it’s out there, and I’m interested in you, yeah I’m going to look. If I don’t, someone else is, and then I’m at the disadvantage. Perhaps it’s not ok to admit that, but really, I think we can all agree it’s true.

Sayde: If an author has queried you and you’ve rejected that query/partial and the author emails you asking for details on why you’ve rejected their ms, what is your process here? Do you give specific reasons on why the manuscript may not have been for you?

        Mrs. Spencer: I can’t help but feel guilty every time, but typically I just hit delete. Sometimes I want to help the author and so I leave the email in my inbox for a few days, before I know it I’m consumed with other issues and so the email ultimately meets the same fate. I wish I could offer more constructive criticism but once you open this door it just opens you up to such demands that will quickly become overwhelming. Plus, when you start to offer specifics you’ll quickly run into authors that are combative and argumentative. It’s just not worth it – and it gets too personal too quickly, especially for professionals that don’t have those transcending relationships yet.

        In my rejections I personally try to offer something, it’s always vague, but I’ll say if it’s the writing I didn’t love, or the voice, or the characters, or the pacing – again, VERY broad, but at least something that makes it personalized to the individual stories weaknesses.


Thank you so much for participating in the interview Mrs. Spencer we appreciate your time. I know several authors who will be chomping at the bit now waiting for conference. I would also like to announce that last weeks winner of the Gift card for Cat Johnson’s interview was commenter Miranda. Please email me with your email address so I can get this to you. You may contact me at

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